![]() ![]() You can override the form by choosing Initial, Medial, Final, or Isolated Form. If you choose Automatic Form, InDesign changes the character depending on its position in the word. InDesign uses the General positional form-which uses the normal glyph. In some languages, characters change depending on their position in a word-for example, in Hebrew, the "mem" character changes from to when its at the end of a word. You can enable more than one stylistic set at a time select it once to turn it on, select it again to turn it off. No problem: Turn on stylistic set number four and the character changes throughout the selection (see Figure 4-25). For example, you might like Thomas Phinney's Hypatia Sans Pro, but realize that you don't like the font's double-loop "g". ![]() A few fonts go beyond offering a swash or contextual alternate here and there, and provide whole sets of alternates that each give a slightly different feel to the face as a whole. When you apply the Slashed Zero OpenType style, every zero appears with a slash automatically. Some folks like to differentiate the two by using a slashed zero (0) in place of a zero. The problem with the number 0 is that it looks far too much like the letter O in some fonts. This is useful when formatting acronyms such as DOS, NASA, or IBM. All Small Caps, however, forces uppercase characters to appear as lowercase small caps. When you turn on the Small Caps feature (which we described in "Case Options," earlier), InDesign leaves uppercase characters alone. When you turn on Contextual Alternates, the result looks more like handwriting because the alternate characters connect to each other.Īll Small Caps. Some OpenType fonts-mostly the script faces-have contextual ligatures and connecting alternates, which are very similar to ligatures. Some OpenType fonts have special "titling" characters that are designed for all-uppercase type set at large sizes.Ĭontextual Alternates. You can see if a particular OpenType font has any swash characters by opening the Glyph panel and looking for Swash in the Show pop-up menu some fonts (such as Adobe Caslon Pro) have swashes in their italic styles only. Swashes are typically used at the beginning or ending of words or sentences. When you need to give a character a little more flair, select it and turn on the Swash feature. ![]() InDesign can automatically set the "st", "nd", and "rd" (or the "o" and "a" in Spanish) to superscript when you turn Ordinal on in the OpenType submenu. "First," "second," and "third" are all examples of ordinal numbers. It depends on the design of the font.ĭon't turn on the Fractions feature for all your text because InDesign often assumes that all your numbers and much of your punctuation are part of fractions and turns them into numerators. Some fonts support arbitrary fractions such as. Other typefaces support those plus some extended fractions, such as 2/3 and 5/8. In some OpenType typefaces, only very basic fractions such as ½ and ¼ are converted. Fortunately, you can now just turn on the Fractions feature and anything that looks like a fraction will convert to the proper character automatically. Changing fake fractions (such as ½) to real fractions (½) has long been a thorn in the side of anyone laying out cookbooks or construction manuals. We usually turn this off except when we're trying to make something look "old fashioned," or when using a script typeface (such as Bickham Script Pro).įractions. If you select some text and turn on the Discretionary Ligatures feature, InDesign uses these lesser-known ligatures (if they're available in the font). Font designers love making ligatures, but they recognize that users won't want to use more esoteric ligatures (such as "ct" or "st") in everyday text. "fi" and "fl" ligatures that we discussed earlier are a great example of this, but they're only the beginning.ĭiscretionary Ligatures. The OpenType features work by replacing one or more glyphs with another single glyph. If a font doesn't support one of these features, it appears in the menu within square brackets ("").įigure 4-24 OpenType Features Alternate Characters Most of the special OpenType typesetting features in InDesign are hidden in the OpenType submenu in the Character or Control panel's menu (see Figure 4-24). InDesign can perform special tricks with OpenType fonts, such as replacing characters with swashes, or adding ligatures for character pairs such as ct and ffi. The characters are encoded using the international standard Unicode, so each font can have hundreds, or even thousands of different characters-even the very large character sets in non-Roman languages such as Japanese. The OpenType font specification was created jointly by Microsoft and Adobe as a way to represent a font with only a single file on both Macintosh and Windows (so you can move the font cross-platform). We've mentioned OpenType fonts a few times in the chapter so far however, we should probably take a moment to discuss them. ![]()
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